4,417 Royalty-Free Audio Tracks for "Piano Chords"

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Ninth chord on C: CEGBD.
Author: Created by Hyacinth (talk) 16:48, 6 July 2009 using Sibelius 5.
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Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Vergleich von Ausschnitten aus Mozarts KV 457 und Beethovens op. 13
Author: W.A. Mozart und L.v. Beethoven (beide vor über 100 Jahren verstorben)
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Example of an altered chord progression in jazz.
Author: Created by Hyacinth (talk) 05:30, 6 December 2010 using Sibelius 5.
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Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).
Author: Jimmy Cox
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Dominant seventh tritone resolution chords, As MIDI
Author: Hyacinth at en.wikipedia
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F majorΕλληνικά: Η συγχορδία ΦΑ μείζονα
Author: Skalk
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Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.
Author: This file is lacking author information.
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Dominant seventh with root doubled and missing fifth resolving to I, in C.
Author: Created by Hyacinth (talk) 22:48, 13 April 2010 using Sibelius.
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Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.
Author: Hyacinth
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A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Lydian chord on C.
Author: User:Hyacinth
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Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.
Author: Hyacinth
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Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5
Author: Hyacinth at English Wikipedia
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Eleventh chord diatonic on C.
Author: The original uploader was Hyacinth at English Wikipedia.
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Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Fifteenth chord from Schoenberg on C
Author: Hyacinth
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Created by Hyacinth (talk) using Sibelius.
Author: Hyacinth at English Wikipedia
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Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Diminished seventh chord as incomplete ninth in C.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Ninth vs added-ninth chord.
Author: Created by Hyacinth (talk) 12:46, 2 July 2011 (UTC) using Sibelius 5.
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Minor major seventh chord on C.
Author: Created by Hyacinth (talk) using Sibelius.
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A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Violoncello chord on D.
Author: Created by Hyacinth (talk) 11:17, 13 June 2010 using Sibelius 5.
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Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.
Author: Hyacinth
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Chord progression with diminished seventh chords added, without chords added yet.
Author: User:Hyacinth
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Diminished seventh chord on B.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.
Author: Hyacinth at English Wikipedia
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Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.
Author: Hyacinth
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D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.
Author: Hyacinth at English Wikipedia
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Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.
Author: Hyacinth
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Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.
Author: Untitled
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Diminished triad on C , as MIDI.
Author: Hyacinth at en.wikipedia
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Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.
Author: User:Hyacinth
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Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.
Author: Created by Hyacinth (talk) 12:56, 8 April 2011 (UTC) using Sibelius 5.
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Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis
Author: Singsangsung
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Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.
Author: Hyacinth
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Diminished triad on B, as MIDI
Author: Hyacinth (talk)
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Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.
Author: Hyacinth
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Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)
Author: User:Hyacinth
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Alternate augmented ninth chord on C.
Author: Created by Hyacinth (talk) using Sibelius 5.
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